By now the children know my name
those that still talk even pronounce it correctly
and this pleases me
they shout it in the streets
where men lift them high
to bolster courage
or test for enemy snipers
Others, the children driven from their beds
still carrying the moon’s silence in their mouths,
their breath soft as ferns,
never speak again
hoping this will keep me from coming
I am the red havoc who brings
fire to reflect in their eyes,
smoke to darken their skin
Where there was a door
through which they once returned home
I provide concrete cratered
with a hole the correct size
for their small bodies to fit
and this too, pleases me
–Arlitia Jones, April 25, 2017
Nothing can happen more beautiful than death.
Inside the coyote’s mouth
is a savage place for a barred owl
Twisting in the wind’s violent tarantella,
the trunk of the blue spruce eventually shatters
Flower shaped and malignant, the tumor blooming in the lungs
will eventually drown a man.
I am trying to understand, Walt.
But how I am to see the hand of a soldier
killed in battle, fingers darkened
and curling too tightly into the palm,
as anything other than a dead star?
–Arlitia Jones, April 23, 2017
I’ve been thinking about extinction
how dull the world will be without
extravagant horns and spotted furs
how quiet the ocean will be
without the blue whale breaking its surface
how unadorned my poems will be
when every wing is folded, every song cut short
how quickly dinner will pass
when the chair across from me is empty
when my own chair is empty
and all that remains is the clutter
of knives and forks, empty plates
layered with dust and moonlight.
–Arlitia Jones, April 22, 2017
Three kinds of flicker
today: the first in front of my car
as I left my driveway,
flare of a wing and flame colored flight
disappearing into the alder.
The second a shimmering late sun
tunneling into the volcano’s flank
way off on the distant horizon,
a fiery mouse hollowing its nest, trailing
orange tail in a lavender sky
And finally tonight this bright feather
of memory suspended in the bell jar
where I keep every beautiful piece of you
I haven’t already lost or dulled with unabashed devotion
–Arlitia Jones, April 21, 2017
Who am I to say
what is impossible?
Brushed by dawn’s grey scarf of light
I am the crazy child
who finds the message from Vienna
waiting on her phone
A metaphor is never
just a metaphor
A yellow chrysanthemum
in a crystal vase
is a proxy sun in the kitchen–
it is also the sun
-Arlitia Jones, April 20, 2017
Across the forest floor,
beneath shadow of spruce
and mountain ash
the daughters of the wind
… … … multiply
numerous as stars
a temporary galaxy
at our feet—
anemones to us,
we are mystery at great distance
–Arlitia Jones, April 19, 2017
The bear was as surprised as we were
suddenly face to face on a trail that had ceased
being a trail at least a decade ago when miners
quit this worthless claim
I am alive!
declared the bear
We are in love!
we said, backing away
Hey, Bear. Hey, Bear.
Above us mountains held the blue milk sky
of the in-between season—
not winter, not spring—unlovely April
with its dingy grass and slick mud
Husband and wife celebrating the anniversary
of their life-long joining , lost in the water-song of melt,
calling out to the bear and the un-beautiful world
as if our tongues were made of flowers
that bloom a month from now,
anemones high in the mountains.
Let us renew our vows, Bear, let us pass, Bear
into the birch, tall-throats waiting
for their green voice to ripen.
Hey, Bear. Hey. The bear considered us,
sniffed the earth then left us to our troth
— Arlitia Jones, April 18, 2017
Portrait of the Demi-Goddess as a Child
There came a day when my father, a powerful and wealthy king
(he was a butcher)
Lifted me up to set me high atop the back of a gleaming black mare.
(It was a Huffy banana bike. She was pink.)
She cantered and tossed her head. I smoothed her neck. Her name was Sheila.
(Her name was Sheila.)
My short legs were barely long enough to hold the curve of her ribs
(I couldn’t reach the pedals)
The King declared me confined to an Empire the breadth of a day’s ride in any direction.
(Our driveway and the street in front of the house.)
But Sheila’s mane was silver and her tail flowed like water when she ran.
(silver handlebar tassels)
Along her spine, my velvet cape flared like a blue wing wherever we went
(I tied a dishtowel around my neck)
and wherever we went we galloped. Headlong. Breathless. We ran away to Ghost Mountain
(To the top of Deadman’s Hill)
where highwaymen beat their horses and turned them out on rocky cliffs.
(mean boys always drop their bikes in the dirt)
Braggarts who blocked the way of any traveler, tested themselves against all comers.
(You know, a guy really died on this hill.)
Together, Sheila and I made up a single body of will and speed.
(Bet you’re too chicken.)
Sheila was the best of horses, she’d always done whatever I asked–
(I pointed my front tire downhill)
So, now I asked her for her cherished legs, her roaring heart. I was fearless.
(I was fearless.)
–Arlitia Jones, April 16, 2017